From 8e37829358ff085fec3844261025b266a2cc6e22 Mon Sep 17 00:00:00 2001 From: Sam Perry Date: Thu, 11 Aug 2016 15:30:41 +0100 Subject: [PATCH] Added missing .tex files and file tracking hook --- .git-hooks/pre-commit/check_untracked.py | 47 ++ .gittrack | 1 + .overcommit.yml | 41 ++ FIELDS/Journal_Article.tex | 78 +++ FYP_samples/Final_results_analysis.tex | 178 ++++++ .../questionnaire/questionnaire.tex | 533 ++++++++++++++++++ 6 files changed, 878 insertions(+) create mode 100755 .git-hooks/pre-commit/check_untracked.py create mode 100644 .gittrack create mode 100644 .overcommit.yml create mode 100644 FIELDS/Journal_Article.tex create mode 100644 FYP_samples/Final_results_analysis.tex create mode 100644 RMTP/Assignment_3/questionnaire/questionnaire.tex diff --git a/.git-hooks/pre-commit/check_untracked.py b/.git-hooks/pre-commit/check_untracked.py new file mode 100755 index 0000000..8f06f93 --- /dev/null +++ b/.git-hooks/pre-commit/check_untracked.py @@ -0,0 +1,47 @@ +#!/usr/bin/env python + +import subprocess +import os +import pdb +import fnmatch + +import sys + +def main(): + p = subprocess.Popen(["git", "rev-parse", "--show-toplevel"], stdout=subprocess.PIPE, stderr=subprocess.PIPE) + out, err = p.communicate() + + out = out.strip('\n') + track_filepath = os.path.join(out, ".gittrack") + + p = subprocess.Popen(["git", "ls-files", out, "--exclude-standard", "--others"], stdout=subprocess.PIPE, stderr=subprocess.PIPE) + out, err = p.communicate() + + out = out.splitlines() + + try: + with open(track_filepath) as f: + content = f.read().splitlines() + except IOError: + return 0 + + + untracked = [] + for filepath in out: + for name in content: + if fnmatch.fnmatch(filepath, name): + untracked.append(filepath) + + if untracked: + print "The following files are not tracked: " + for i in untracked: + print i + print "Please either stage these files for the commit or add them to the project's .gitignore to disregard them." + return 1 + else: + return 0 + + + +if __name__ == "__main__": + exit(main()) diff --git a/.gittrack b/.gittrack new file mode 100644 index 0000000..01564af --- /dev/null +++ b/.gittrack @@ -0,0 +1 @@ +*.tex diff --git a/.overcommit.yml b/.overcommit.yml new file mode 100644 index 0000000..f0b94ee --- /dev/null +++ b/.overcommit.yml @@ -0,0 +1,41 @@ +# Use this file to configure the Overcommit hooks you wish to use. This will +# extend the default configuration defined in: +# https://github.com/brigade/overcommit/blob/master/config/default.yml +# +# At the topmost level of this YAML file is a key representing type of hook +# being run (e.g. pre-commit, commit-msg, etc.). Within each type you can +# customize each hook, such as whether to only run it on certain files (via +# `include`), whether to only display output if it fails (via `quiet`), etc. +# +# For a complete list of hooks, see: +# https://github.com/brigade/overcommit/tree/master/lib/overcommit/hook +# +# For a complete list of options that you can use to customize hooks, see: +# https://github.com/brigade/overcommit#configuration +# +# Uncomment the following lines to make the configuration take effect. + +#PreCommit: +# RuboCop: +# enabled: true +# on_warn: fail # Treat all warnings as failures +# +# TrailingWhitespace: +# enabled: true +# exclude: +# - '**/db/structure.sql' # Ignore trailing whitespace in generated files +# +#PostCheckout: +# ALL: # Special hook name that customizes all hooks of this type +# quiet: true # Change all post-checkout hooks to only display output on failure +# +# IndexTags: +# enabled: true # Generate a tags file with `ctags` each time HEAD changes + + +PreCommit: + CheckUntracked: + enabled: true + quiet: false + description: 'Check for files that should be tracked or ignored.' + required_executable: './.git-hooks/pre-commit/check_untracked.py' diff --git a/FIELDS/Journal_Article.tex b/FIELDS/Journal_Article.tex new file mode 100644 index 0000000..8c587a2 --- /dev/null +++ b/FIELDS/Journal_Article.tex @@ -0,0 +1,78 @@ + +\documentclass{scrartcl} +\usepackage{enumitem} +\usepackage[british]{babel} +\usepackage[style=apa, backend=biber]{biblatex} +\DeclareLanguageMapping{british}{british-apa} +\usepackage{url} +\usepackage{float} +\restylefloat{table} +\usepackage{perpage} +\MakePerPage{footnote} +\usepackage{abstract} +\usepackage{graphicx} +% Create hyperlinks in bibliography +\usepackage{hyperref} + +\usepackage[T1]{fontenc} +\usepackage[utf8]{inputenc} +\usepackage{blindtext} +\setkomafont{disposition}{\normalfont\bfseries} + + +\graphicspath{ + {./resources/}, +} +\addbibresource{~/PerryPerrySource/LaTeX/FYP_Bibliography.bib} + + +\usepackage{etoolbox} +\makeatletter +\expandafter\patchcmd\csname\string\maketitle\endcsname + {\vskip\z@\@plus3fill} + {\vskip\z@\@plus2fill\box\abstractbox\vskip\z@\@plus1fill} + {}{} +\makeatother + +\DeclareCiteCommand{\citeyearpar} + {} + {\mkbibparens{\bibhyperref{\printdate}}} + {\multicitedelim} + {} + +\begin{document} + \title{Descriptor Driven Concatenative Synthesis Tool} + \subtitle{\LARGE{Abstract Draft}} + \author{Sam Perry} + \date{} + + \maketitle + + + \begin{abstract} + A command-line tool is proposed for the exploration of a new form of audio + synthesis known as ``concatenative-synthesis'': A form of synthesis that uses + perceptual audio analyses to arrange small segments of audio based on their + characteristics. The tool is designed to synthesise representations of an + input sound using a database of source sounds. This involves the + segmentation and analysis of both the input sound and database, matching of + input segments to their closest segment from the database, and the + re-synthesis of the closest matches from the database to produce the final + result.\\ + + The aim was to produce a tool capable of generating high quality sonic + representations of an input, and to present a variety of examples that + demonstrated the breadth of possibilities that this style of synthesis has + to offer. There are a number of other projects that use this form of + synthesis, however this project aims primarily to explore the further + potential offered through the offline processing of large databases, of + which considerably less research exists.\\ + + Overall, results demonstrate the wide variety of sounds that can be + produced using this method of synthesis. A number of technical issues were + outlined that impeded the overall quality of results and efficiency of the + software. However, the project clearly demonstrates the strong potential + for this type synthesis to be used for creative purposes. + \end{abstract} + +\end{document} diff --git a/FYP_samples/Final_results_analysis.tex b/FYP_samples/Final_results_analysis.tex new file mode 100644 index 0000000..64c823e --- /dev/null +++ b/FYP_samples/Final_results_analysis.tex @@ -0,0 +1,178 @@ + +\documentclass{scrartcl} +\usepackage{enumitem} +\usepackage[british]{babel} +\usepackage[style=apa, backend=biber]{biblatex} +\DeclareLanguageMapping{british}{british-apa} +\usepackage{url} +\usepackage{float} +\restylefloat{table} +\usepackage{perpage} +\MakePerPage{footnote} +\usepackage{abstract} +\usepackage{graphicx} +% Create hyperlinks in bibliography +\usepackage{hyperref} + +\usepackage[T1]{fontenc} +\usepackage[utf8]{inputenc} +\usepackage{blindtext} +\setkomafont{disposition}{\normalfont\bfseries} + + +\graphicspath{ + {./resources/}, +} +\addbibresource{~/PerryPerrySource/LaTeX/FYP_Bibliography.bib} + +\newsavebox{\abstractbox} +\renewenvironment{abstract} + {\begin{lrbox}{0}\begin{minipage}{\textwidth} + \begin{center}\normalfont\sectfont\abstractname\end{center}\quotation} + {\endquotation\end{minipage}\end{lrbox}% + \global\setbox\abstractbox=\box0 } + +\usepackage{etoolbox} +\makeatletter +\expandafter\patchcmd\csname\string\maketitle\endcsname + {\vskip\z@\@plus3fill} + {\vskip\z@\@plus2fill\box\abstractbox\vskip\z@\@plus1fill} + {}{} +\makeatother + +\DeclareCiteCommand{\citeyearpar} + {} + {\mkbibparens{\bibhyperref{\printdate}}} + {\multicitedelim} + {} + +\begin{document} + \title{Independant Project\\Descriptor Driven Concatenative Synthesis Tool} + \subtitle{\LARGE{Results Analysis}} + \author{Sam Perry\\U1265119} + \date{} + + \maketitle + + \section{Overview} + This document aims to provide reasoning for the sonic characteristics of + the audio produced in this project. Samples have been provided to + demonstrate the breadth of possibilities for the concatenator script. + Samples use a range of databases of varying sizes and aim to show both the + strengths of this script and areas that could be developed further to + improve results. + + \section{Sample Analysis} + Samples are organized in folder named by their source\char`_target databases. + + \subsection{Guitar\char`_Guitar} + Source Database: University of Iowa Sample Database - Guitar\\ + Target Database: David Chaplin's Guitar Samples\\ + + These samples were generated with the intention of matching the clean + guitar to a clean guitar database. It was thought that in an ideal + situation this would produce a result similar to the original but with the + tonal qualities of the sampled guitar. The result is far from this as the + current descriptors do not provide a description that is sufficiently + accurate. However, The General contour of the clean guitar can be heard and + the ``plucky'' qualities of the sampled database are definitely present. + + \subsection{Guitar\char`_Violin} + Source Database: University of Iowa Sample Database - Violin\\ + Target Database: David Chaplin's Guitar Samples\\ + Overall, result produced were smooth and for the majority of the samples + used, are similar to that of a stringed instrument. The occasional glitch + detracts from this and there are a number of reason for these small glitches. + At around 3 seconds, a high pitched screech can be heard that does not fit + in with it's neighbouring samples. When comparing this to the event in the + original file, it can be seen that this is a sharp decay and pause that is + analysed as an inharmonic signal with very different characteristics to + it's neighbouring samples. Use of a viterbi algorithm would most likely + help to minimise these types of error, alongside better handling of + inharmonic samples. + + \subsection{Guitar\char`_Xylophone} + Source Database: University of Iowa Sample Database - Xylophone\\ + Target Database: David Chaplin's Guitar Samples\\ + This example demonstrated interesting timbral qualities due to the rich + variety of harmonic percussive sounds in the Xylophone database. By + matching primarily on pitch and spectral content, a mixture of transient + grains are concatenated with reasonable results. + + \subsection{Multiple\char`_Vocal} + Source Database: Alex Harker Vocal Database\\ + Target Database: David Chaplin's Guitar Samples, Rayman Spoken Word + Database\\ + This database provided interesting results in terms of timbre as the outcome + is a mixture of vocal techniques. This sounds entirely synthetic which is + expected, and there are glitches as with all the results. However, the results + appear to be perceptually related to both the source and target databases. + Vocal qualities can be heard through the clicks, hums and other elements + that are combined. Continuity between grains is a significant problem as + selected grains do not flow in the same way that natural vocals might. + Again, comparing matches in a post matching process such as a viterbi + decoding stage would help to counter this effect. + A stretched version of Clean\char`_1 was included to demonstrate the results of + setting different values for matching and synthesis overlaps. By setting the + matching overlap to 8 and the synthesis overlap to 4, the synthesis was + stretched by a factor of 2. + + \subsection{Spoken\char`_Xylophone} + Source Database: University of Iowa Sample Database - Xylophone\\ + Target Database: Rayman Spoken Word Database\\ + + This example was generated during development and has been included as it + demonstrated an effective mix between the qualities of the two databases. + The pitch and envelope of the vocals can be heard whilst the timbre of the + Xylophone database is also clear. Glitchy pitch shifted grains can be heard + in the background as this was a problem with the project at the time and + has since been fixed by altering handling of inharmonic grains in the + picth shifter. + + \subsection{Vocal\char`_Marimba} + Source Database: University of Iowa Sample Database - Xylophone\\ + Target Database: Danny Darko Acapella Vocals Sample\\ + This sample highlights a number of problems with the current implementation + of this algorithm. + There is a considerable amount of noise as a result of the intensity + scaling. This has increased quite sounds with low signal/noise ratios and + as a result this can be heard clearly in the results. + The clicks produced through poor performance of the pitch shifter have also + degraded the signal during synthesis. Replacing the pitch shifter with a + more effective algorithm would most likely improve results. + + \subsection{Vocal\char`_Wind} + Source Database: University of Iowa Sample Database - Xylophone\\ + Target Database: Danny Darko Acapella Vocals Sample\\ + These examples are significantly less satisfying. Inharmonic noise from the + player taking breaths mixes poorly to generated a layer of breathy noise. + This is further emphasized by the pitch shifting of this noise. This + demonstrates an inherent problem with pitch shifting technique used to + transform grains, in that inharmonic audio is also transformed. This would + be greatly improved with the use of a better pitch shifting algorithm. + + \section{Overall Performance} + Overall, it was difficult to generate results of a high quality due to the + current issues with the algorithm used. During development, much time was + spent increasing the speed of the algorithm to make it possible to create a + high enough quantity of results. On reflection, spending more time on + improving output quality may have yielded better results. However, + overall it is clear that this style of synthesis shows real potential for + generating a wide range of interesting sound and as a prototype or proof of + concept, the script achieves a reasonable quality of result. + + \section{Database Sources} + \begin{table}[H] + \centering + \label{my-label} + \begin{tabular}{ll} + \textbf{Database Name} & \textbf{Accessed from} \\ + University of Iowa Sample Database & http://theremin.music.uiowa.edu/MIS.html \\ + Danny Darko Acapella Vocals Sample & http://www.dannydarko.net/category/remix-stems/\\ + Alex Harker's Vocal Sample Database & Not Publicly Available \\ + David Chaplin's Guitar Samples & Not Publicly Available \\ + Rayman Spoken Word Database & Not Publicly Available + \end{tabular} + \end{table} + +\end{document} diff --git a/RMTP/Assignment_3/questionnaire/questionnaire.tex b/RMTP/Assignment_3/questionnaire/questionnaire.tex new file mode 100644 index 0000000..37bb98c --- /dev/null +++ b/RMTP/Assignment_3/questionnaire/questionnaire.tex @@ -0,0 +1,533 @@ +\documentclass[a4paper,10pt,BCOR10mm,oneside,headsepline]{scrartcl} +\usepackage[ngerman]{babel} +\usepackage[utf8]{inputenc} +\usepackage{wasysym}% provides \ocircle and \Box +\usepackage{enumitem}% easy control of topsep and leftmargin for lists +\usepackage{color}% used for background color +\usepackage{forloop}% used for \Qrating and \Qlines +\usepackage{ifthen}% used for \Qitem and \QItem +\usepackage{typearea} +\areaset{17cm}{26cm} +\setlength{\topmargin}{-1cm} +\usepackage{scrpage2} +\pagestyle{scrheadings} +\ihead{U1265119 - Researching Music, Technology and Performance - Questionnaire} +\ohead{\pagemark} +\chead{} +\cfoot{} +\newcommand\tab[1][1cm]{\hspace*{#1}} +%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% +%% Beginning of questionnaire command definitions %% +%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% +%% +%% 2010, 2012 by Sven Hartenstein +%% mail@svenhartenstein.de +%% http://www.svenhartenstein.de +%% +%% Please be warned that this is NOT a full-featured framework for +%% creating (all sorts of) questionnaires. Rather, it is a small +%% collection of LaTeX commands that I found useful when creating a +%% questionnaire. Feel free to copy and adjust any parts you like. +%% Most probably, you will want to change the commands, so that they +%% fit your taste. +%% +%% Also note that I am not a LaTeX expert! Things can very likely be +%% done much more elegant than I was able to. If you have suggestions +%% about what can be improved please send me an email. I intend to +%% add good tipps to my website and to name contributers of course. +%% +%% 10/2012: Thanks to karathan for the suggestion to put \noindent +%% before \rule! + +%% \Qq = Questionaire question. Oh, this is just too simple. It helps +%% making it easy to globally change the appearance of questions. +\newcommand{\Qq}[1]{\textbf{#1}} + +%% \QO = Circle or box to be ticked. Used both by direct call and by +%% \Qrating and \Qlist. +\newcommand{\QO}{$\Box$}% or: $\ocircle$ + +%% \Qrating = Automatically create a rating scale with NUM steps, like +%% this: 0--0--0--0--0. +\newcounter{qr} +\newcommand{\Qrating}[1]{\QO\forloop{qr}{1}{\value{qr} < #1}{---\QO}} + +%% \Qline = Again, this is very simple. It helps setting the line +%% thickness globally. Used both by direct call and by \Qlines. +\newcommand{\Qline}[1]{\noindent\rule{#1}{0.6pt}} + +%% \Qlines = Insert NUM lines with width=\linewith. You can change the +%% \vskip value to adjust the spacing. +\newcounter{ql} +\newcommand{\Qlines}[1]{\forloop{ql}{0}{\value{ql}<#1}{\vskip0em\Qline{\linewidth}}} + +%% \Qlist = This is an environment very similar to itemize but with +%% \QO in front of each list item. Useful for classical multiple +%% choice. Change leftmargin and topsep accourding to your taste. +\newenvironment{Qlist}{% +\renewcommand{\labelitemi}{\QO} +\begin{itemize}[leftmargin=1.5em,topsep=-.5em] +}{% +\end{itemize} +} + +%% \Qtab = A "tabulator simulation". The first argument is the +%% distance from the left margin. The second argument is content which +%% is indented within the current row. +\newlength{\qt} +\newcommand{\Qtab}[2]{ +\setlength{\qt}{\linewidth} +\addtolength{\qt}{-#1} +\hfill\parbox[t]{\qt}{\raggedright #2} +} + +%% \Qitem = Item with automatic numbering. The first optional argument +%% can be used to create sub-items like 2a, 2b, 2c, ... The item +%% number is increased if the first argument is omitted or equals 'a'. +%% You will have to adjust this if you prefer a different numbering +%% scheme. Adjust topsep and leftmargin as needed. +\newcounter{itemnummer} +\newcommand{\Qitem}[2][]{% #1 optional, #2 notwendig +\ifthenelse{\equal{#1}{}}{\stepcounter{itemnummer}}{} +\ifthenelse{\equal{#1}{a}}{\stepcounter{itemnummer}}{} +\begin{enumerate}[topsep=2pt,leftmargin=2.8em] +\item[] #2 +\end{enumerate} +} + +%% \QItem = Like \Qitem but with alternating background color. This +%% might be error prone as I hard-coded some lengths (-5.25pt and +%% -3pt)! I do not yet understand why I need them. +\definecolor{bgodd}{rgb}{0.8,0.8,0.8} +\definecolor{bgeven}{rgb}{0.9,0.9,0.9} +\newcounter{itemoddeven} +\newlength{\gb} +\newcommand{\QItem}[2][]{% #1 optional, #2 notwendig +\setlength{\gb}{\linewidth} +\addtolength{\gb}{-5.25pt} +\ifthenelse{\equal{\value{itemoddeven}}{0}}{% +\noindent\colorbox{bgeven}{\hskip-3pt\begin{minipage}{\gb}\Qitem[#1]{#2}\end{minipage}}% +\stepcounter{itemoddeven}% +}{% +\noindent\colorbox{bgodd}{\hskip-3pt\begin{minipage}{\gb}\Qitem[#1]{#2}\end{minipage}}% +\setcounter{itemoddeven}{0}% +} +} + +%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% +%% End of questionnaire command definitions %% +%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% + +\begin{document} + +\begin{center} +\textbf{\huge Questionnaire on the effects of electronic processing in music} +\end{center}\vskip1em + +\noindent This survey forms part of a study into the effects of audio +processing on perceptions of musical quality. You will be presented with a +selection of 40 audio examples. For each example, you will be asked to provide +a rating for the example's musical quality. This refers to your opinion on the +overall skill of the performer/composers. You will also be asked to provide a +rating for the ``artificialness'' of the example. This refers to the amount of +influence you believe electronic processing has had on the creation and +production of this piece. Finally, you are asked to provide a rating for how +much you like the example. This is purely subject to personal preference. A +section is also provided at the bottom of the questionnaire for any further +comments on examples or the questionnaire in general. Thank you for your +participation. + + +\section*{Section 1} +\Qitem{\Qq{ +Have you had any training in the areas of Music and/or Music Technology (i.e. You are or have been a Music/Music Technology student, or are in this field of work)? +} +\begin{Qlist} +\item Yes +\item No +\end{Qlist} +} +\vskip.9em + +\Qitem{\Qq{Please rate these genres in order of your preference:} +\vskip.25em +\Qq{Classical} \Qtab{7cm}{\makebox[2.5cm]{Least Favourite\hfill}\tab[0.1cm] \Qrating{5}\tab\makebox[2cm]{Favourite\hfill}}\\ +\Qq{Electronic} \Qtab{7cm}{\makebox[2.5cm]{Least Favourite\hfill}\tab[0.1cm] \Qrating{5}\tab\makebox[2cm]{Favourite\hfill}}\\ +\Qq{Indie} \Qtab{7cm}{\makebox[2.5cm]{Least Favourite\hfill}\tab[0.1cm] \Qrating{5}\tab\makebox[2cm]{Favourite\hfill}}\\ +\Qq{Rock} \Qtab{7cm}{\makebox[2.5cm]{Least Favourite\hfill}\tab[0.1cm] \Qrating{5}\tab\makebox[2cm]{Favourite\hfill}}\\ +\Qq{Pop} \Qtab{7cm}{\makebox[2.5cm]{Least Favourite\hfill}\tab[0.1cm] \Qrating{5}\tab\makebox[2cm]{Favourite\hfill}}\\ +} +\vskip.9em + +\section*{Section 2} +\newcounter{example} + +\refstepcounter{example} +\vskip.75em +\Qitem{\Qq{Please rate example \theexample~here:} +\vskip.25em +\Qq{Musical Quality/Accomplishment} \Qtab{7cm}{\makebox[2.5cm]{Low Quality\hfill}\tab[0.1cm] \Qrating{5}\tab\makebox[2cm]{High Quality\hfill}}\\ +\Qq{Artificialness} \Qtab{7cm}{\makebox[2.5cm]{Natural\hfill}\tab[0.1cm] \Qrating{5}\tab\makebox[2cm]{Synthetic\hfill}}\\ +\Qq{Preference} \Qtab{7cm}{\makebox[2.5cm]{Dislike\hfill}\tab[0.1cm] \Qrating{5}\tab\makebox[2cm]{Like\hfill}}\\ +} + +\refstepcounter{example} +\vskip.75em +\Qitem{\Qq{Please rate example \theexample~here:} +\vskip.25em +\Qq{Musical Quality/Accomplishment} \Qtab{7cm}{\makebox[2.5cm]{Low Quality\hfill}\tab[0.1cm] \Qrating{5}\tab\makebox[2cm]{High Quality\hfill}}\\ +\Qq{Artificialness} \Qtab{7cm}{\makebox[2.5cm]{Natural\hfill}\tab[0.1cm] \Qrating{5}\tab\makebox[2cm]{Synthetic\hfill}}\\ +\Qq{Preference} \Qtab{7cm}{\makebox[2.5cm]{Dislike\hfill}\tab[0.1cm] \Qrating{5}\tab\makebox[2cm]{Like\hfill}}\\ +} + +\refstepcounter{example} +\vskip.75em +\Qitem{\Qq{Please rate example \theexample~here:} +\vskip.25em +\Qq{Musical Quality/Accomplishment} \Qtab{7cm}{\makebox[2.5cm]{Low Quality\hfill}\tab[0.1cm] \Qrating{5}\tab\makebox[2cm]{High Quality\hfill}}\\ +\Qq{Artificialness} \Qtab{7cm}{\makebox[2.5cm]{Natural\hfill}\tab[0.1cm] \Qrating{5}\tab\makebox[2cm]{Synthetic\hfill}}\\ +\Qq{Preference} \Qtab{7cm}{\makebox[2.5cm]{Dislike\hfill}\tab[0.1cm] \Qrating{5}\tab\makebox[2cm]{Like\hfill}}\\ +} + +\refstepcounter{example} +\vskip.75em +\Qitem{\Qq{Please rate example \theexample~here:} +\vskip.25em +\Qq{Musical Quality/Accomplishment} \Qtab{7cm}{\makebox[2.5cm]{Low Quality\hfill}\tab[0.1cm] \Qrating{5}\tab\makebox[2cm]{High Quality\hfill}}\\ +\Qq{Artificialness} \Qtab{7cm}{\makebox[2.5cm]{Natural\hfill}\tab[0.1cm] \Qrating{5}\tab\makebox[2cm]{Synthetic\hfill}}\\ +\Qq{Preference} \Qtab{7cm}{\makebox[2.5cm]{Dislike\hfill}\tab[0.1cm] \Qrating{5}\tab\makebox[2cm]{Like\hfill}}\\ +} + +\refstepcounter{example} +\vskip.75em +\Qitem{\Qq{Please rate example \theexample~here:} +\vskip.25em +\Qq{Musical Quality/Accomplishment} \Qtab{7cm}{\makebox[2.5cm]{Low Quality\hfill}\tab[0.1cm] \Qrating{5}\tab\makebox[2cm]{High Quality\hfill}}\\ +\Qq{Artificialness} \Qtab{7cm}{\makebox[2.5cm]{Natural\hfill}\tab[0.1cm] \Qrating{5}\tab\makebox[2cm]{Synthetic\hfill}}\\ +\Qq{Preference} \Qtab{7cm}{\makebox[2.5cm]{Dislike\hfill}\tab[0.1cm] \Qrating{5}\tab\makebox[2cm]{Like\hfill}}\\ +} + +\refstepcounter{example} +\vskip.75em +\Qitem{\Qq{Please rate example \theexample~here:} +\vskip.25em +\Qq{Musical Quality/Accomplishment} \Qtab{7cm}{\makebox[2.5cm]{Low Quality\hfill}\tab[0.1cm] \Qrating{5}\tab\makebox[2cm]{High Quality\hfill}}\\ +\Qq{Artificialness} \Qtab{7cm}{\makebox[2.5cm]{Natural\hfill}\tab[0.1cm] \Qrating{5}\tab\makebox[2cm]{Synthetic\hfill}}\\ +\Qq{Preference} \Qtab{7cm}{\makebox[2.5cm]{Dislike\hfill}\tab[0.1cm] \Qrating{5}\tab\makebox[2cm]{Like\hfill}}\\ +} + +\refstepcounter{example} +\vskip.75em +\Qitem{\Qq{Please rate example \theexample~here:} +\vskip.25em +\Qq{Musical Quality/Accomplishment} \Qtab{7cm}{\makebox[2.5cm]{Low Quality\hfill}\tab[0.1cm] \Qrating{5}\tab\makebox[2cm]{High Quality\hfill}}\\ +\Qq{Artificialness} \Qtab{7cm}{\makebox[2.5cm]{Natural\hfill}\tab[0.1cm] \Qrating{5}\tab\makebox[2cm]{Synthetic\hfill}}\\ +\Qq{Preference} \Qtab{7cm}{\makebox[2.5cm]{Dislike\hfill}\tab[0.1cm] \Qrating{5}\tab\makebox[2cm]{Like\hfill}}\\ +} + +\refstepcounter{example} +\vskip.75em +\Qitem{\Qq{Please rate example \theexample~here:} +\vskip.25em +\Qq{Musical Quality/Accomplishment} \Qtab{7cm}{\makebox[2.5cm]{Low Quality\hfill}\tab[0.1cm] \Qrating{5}\tab\makebox[2cm]{High Quality\hfill}}\\ +\Qq{Artificialness} \Qtab{7cm}{\makebox[2.5cm]{Natural\hfill}\tab[0.1cm] \Qrating{5}\tab\makebox[2cm]{Synthetic\hfill}}\\ +\Qq{Preference} \Qtab{7cm}{\makebox[2.5cm]{Dislike\hfill}\tab[0.1cm] \Qrating{5}\tab\makebox[2cm]{Like\hfill}}\\ +} + +\refstepcounter{example} +\vskip.75em +\Qitem{\Qq{Please rate example \theexample~here:} +\vskip.25em +\Qq{Musical Quality/Accomplishment} \Qtab{7cm}{\makebox[2.5cm]{Low Quality\hfill}\tab[0.1cm] \Qrating{5}\tab\makebox[2cm]{High Quality\hfill}}\\ +\Qq{Artificialness} \Qtab{7cm}{\makebox[2.5cm]{Natural\hfill}\tab[0.1cm] \Qrating{5}\tab\makebox[2cm]{Synthetic\hfill}}\\ +\Qq{Preference} \Qtab{7cm}{\makebox[2.5cm]{Dislike\hfill}\tab[0.1cm] \Qrating{5}\tab\makebox[2cm]{Like\hfill}}\\ +} + +\refstepcounter{example} +\vskip.75em +\Qitem{\Qq{Please rate example \theexample~here:} +\vskip.25em +\Qq{Musical Quality/Accomplishment} \Qtab{7cm}{\makebox[2.5cm]{Low Quality\hfill}\tab[0.1cm] \Qrating{5}\tab\makebox[2cm]{High Quality\hfill}}\\ +\Qq{Artificialness} \Qtab{7cm}{\makebox[2.5cm]{Natural\hfill}\tab[0.1cm] \Qrating{5}\tab\makebox[2cm]{Synthetic\hfill}}\\ +\Qq{Preference} \Qtab{7cm}{\makebox[2.5cm]{Dislike\hfill}\tab[0.1cm] \Qrating{5}\tab\makebox[2cm]{Like\hfill}}\\ +} + +\refstepcounter{example} +\vskip.75em +\Qitem{\Qq{Please rate example \theexample~here:} +\vskip.25em +\Qq{Musical Quality/Accomplishment} \Qtab{7cm}{\makebox[2.5cm]{Low Quality\hfill}\tab[0.1cm] \Qrating{5}\tab\makebox[2cm]{High Quality\hfill}}\\ +\Qq{Artificialness} \Qtab{7cm}{\makebox[2.5cm]{Natural\hfill}\tab[0.1cm] \Qrating{5}\tab\makebox[2cm]{Synthetic\hfill}}\\ +\Qq{Preference} \Qtab{7cm}{\makebox[2.5cm]{Dislike\hfill}\tab[0.1cm] \Qrating{5}\tab\makebox[2cm]{Like\hfill}}\\ +} + +\refstepcounter{example} +\vskip.75em +\Qitem{\Qq{Please rate example \theexample~here:} +\vskip.25em +\Qq{Musical Quality/Accomplishment} \Qtab{7cm}{\makebox[2.5cm]{Low Quality\hfill}\tab[0.1cm] \Qrating{5}\tab\makebox[2cm]{High Quality\hfill}}\\ +\Qq{Artificialness} \Qtab{7cm}{\makebox[2.5cm]{Natural\hfill}\tab[0.1cm] \Qrating{5}\tab\makebox[2cm]{Synthetic\hfill}}\\ +\Qq{Preference} \Qtab{7cm}{\makebox[2.5cm]{Dislike\hfill}\tab[0.1cm] \Qrating{5}\tab\makebox[2cm]{Like\hfill}}\\ +} + +\refstepcounter{example} +\vskip.75em +\Qitem{\Qq{Please rate example \theexample~here:} +\vskip.25em +\Qq{Musical Quality/Accomplishment} \Qtab{7cm}{\makebox[2.5cm]{Low Quality\hfill}\tab[0.1cm] \Qrating{5}\tab\makebox[2cm]{High Quality\hfill}}\\ +\Qq{Artificialness} \Qtab{7cm}{\makebox[2.5cm]{Natural\hfill}\tab[0.1cm] \Qrating{5}\tab\makebox[2cm]{Synthetic\hfill}}\\ +\Qq{Preference} \Qtab{7cm}{\makebox[2.5cm]{Dislike\hfill}\tab[0.1cm] \Qrating{5}\tab\makebox[2cm]{Like\hfill}}\\ +} + +\refstepcounter{example} +\vskip.75em +\Qitem{\Qq{Please rate example \theexample~here:} +\vskip.25em +\Qq{Musical Quality/Accomplishment} \Qtab{7cm}{\makebox[2.5cm]{Low Quality\hfill}\tab[0.1cm] \Qrating{5}\tab\makebox[2cm]{High Quality\hfill}}\\ +\Qq{Artificialness} \Qtab{7cm}{\makebox[2.5cm]{Natural\hfill}\tab[0.1cm] \Qrating{5}\tab\makebox[2cm]{Synthetic\hfill}}\\ +\Qq{Preference} \Qtab{7cm}{\makebox[2.5cm]{Dislike\hfill}\tab[0.1cm] \Qrating{5}\tab\makebox[2cm]{Like\hfill}}\\ +} + +\refstepcounter{example} +\vskip.75em +\Qitem{\Qq{Please rate example \theexample~here:} +\vskip.25em +\Qq{Musical Quality/Accomplishment} \Qtab{7cm}{\makebox[2.5cm]{Low Quality\hfill}\tab[0.1cm] \Qrating{5}\tab\makebox[2cm]{High Quality\hfill}}\\ +\Qq{Artificialness} \Qtab{7cm}{\makebox[2.5cm]{Natural\hfill}\tab[0.1cm] \Qrating{5}\tab\makebox[2cm]{Synthetic\hfill}}\\ +\Qq{Preference} \Qtab{7cm}{\makebox[2.5cm]{Dislike\hfill}\tab[0.1cm] \Qrating{5}\tab\makebox[2cm]{Like\hfill}}\\ +} + +\refstepcounter{example} +\vskip.75em +\Qitem{\Qq{Please rate example \theexample~here:} +\vskip.25em +\Qq{Musical Quality/Accomplishment} \Qtab{7cm}{\makebox[2.5cm]{Low Quality\hfill}\tab[0.1cm] \Qrating{5}\tab\makebox[2cm]{High Quality\hfill}}\\ +\Qq{Artificialness} \Qtab{7cm}{\makebox[2.5cm]{Natural\hfill}\tab[0.1cm] \Qrating{5}\tab\makebox[2cm]{Synthetic\hfill}}\\ +\Qq{Preference} \Qtab{7cm}{\makebox[2.5cm]{Dislike\hfill}\tab[0.1cm] \Qrating{5}\tab\makebox[2cm]{Like\hfill}}\\ +} + +\refstepcounter{example} +\vskip.75em +\Qitem{\Qq{Please rate example \theexample~here:} +\vskip.25em +\Qq{Musical Quality/Accomplishment} \Qtab{7cm}{\makebox[2.5cm]{Low Quality\hfill}\tab[0.1cm] \Qrating{5}\tab\makebox[2cm]{High Quality\hfill}}\\ +\Qq{Artificialness} \Qtab{7cm}{\makebox[2.5cm]{Natural\hfill}\tab[0.1cm] \Qrating{5}\tab\makebox[2cm]{Synthetic\hfill}}\\ +\Qq{Preference} \Qtab{7cm}{\makebox[2.5cm]{Dislike\hfill}\tab[0.1cm] \Qrating{5}\tab\makebox[2cm]{Like\hfill}}\\ +} + +\refstepcounter{example} +\vskip.75em +\Qitem{\Qq{Please rate example \theexample~here:} +\vskip.25em +\Qq{Musical Quality/Accomplishment} \Qtab{7cm}{\makebox[2.5cm]{Low Quality\hfill}\tab[0.1cm] \Qrating{5}\tab\makebox[2cm]{High Quality\hfill}}\\ +\Qq{Artificialness} \Qtab{7cm}{\makebox[2.5cm]{Natural\hfill}\tab[0.1cm] \Qrating{5}\tab\makebox[2cm]{Synthetic\hfill}}\\ +\Qq{Preference} \Qtab{7cm}{\makebox[2.5cm]{Dislike\hfill}\tab[0.1cm] \Qrating{5}\tab\makebox[2cm]{Like\hfill}}\\ +} + +\refstepcounter{example} +\vskip.75em +\Qitem{\Qq{Please rate example \theexample~here:} +\vskip.25em +\Qq{Musical Quality/Accomplishment} \Qtab{7cm}{\makebox[2.5cm]{Low Quality\hfill}\tab[0.1cm] \Qrating{5}\tab\makebox[2cm]{High Quality\hfill}}\\ +\Qq{Artificialness} \Qtab{7cm}{\makebox[2.5cm]{Natural\hfill}\tab[0.1cm] \Qrating{5}\tab\makebox[2cm]{Synthetic\hfill}}\\ +\Qq{Preference} \Qtab{7cm}{\makebox[2.5cm]{Dislike\hfill}\tab[0.1cm] \Qrating{5}\tab\makebox[2cm]{Like\hfill}}\\ +} + +\refstepcounter{example} +\vskip.75em +\Qitem{\Qq{Please rate example \theexample~here:} +\vskip.25em +\Qq{Musical Quality/Accomplishment} \Qtab{7cm}{\makebox[2.5cm]{Low Quality\hfill}\tab[0.1cm] \Qrating{5}\tab\makebox[2cm]{High Quality\hfill}}\\ +\Qq{Artificialness} \Qtab{7cm}{\makebox[2.5cm]{Natural\hfill}\tab[0.1cm] \Qrating{5}\tab\makebox[2cm]{Synthetic\hfill}}\\ +\Qq{Preference} \Qtab{7cm}{\makebox[2.5cm]{Dislike\hfill}\tab[0.1cm] \Qrating{5}\tab\makebox[2cm]{Like\hfill}}\\ +} + +\refstepcounter{example} +\vskip.75em +\Qitem{\Qq{Please rate example \theexample~here:} +\vskip.25em +\Qq{Musical Quality/Accomplishment} \Qtab{7cm}{\makebox[2.5cm]{Low Quality\hfill}\tab[0.1cm] \Qrating{5}\tab\makebox[2cm]{High Quality\hfill}}\\ +\Qq{Artificialness} \Qtab{7cm}{\makebox[2.5cm]{Natural\hfill}\tab[0.1cm] \Qrating{5}\tab\makebox[2cm]{Synthetic\hfill}}\\ +\Qq{Preference} \Qtab{7cm}{\makebox[2.5cm]{Dislike\hfill}\tab[0.1cm] \Qrating{5}\tab\makebox[2cm]{Like\hfill}}\\ +} + +\refstepcounter{example} +\vskip.75em +\Qitem{\Qq{Please rate example \theexample~here:} +\vskip.25em +\Qq{Musical Quality/Accomplishment} \Qtab{7cm}{\makebox[2.5cm]{Low Quality\hfill}\tab[0.1cm] \Qrating{5}\tab\makebox[2cm]{High Quality\hfill}}\\ +\Qq{Artificialness} \Qtab{7cm}{\makebox[2.5cm]{Natural\hfill}\tab[0.1cm] \Qrating{5}\tab\makebox[2cm]{Synthetic\hfill}}\\ +\Qq{Preference} \Qtab{7cm}{\makebox[2.5cm]{Dislike\hfill}\tab[0.1cm] \Qrating{5}\tab\makebox[2cm]{Like\hfill}}\\ +} + +\refstepcounter{example} +\vskip.75em +\Qitem{\Qq{Please rate example \theexample~here:} +\vskip.25em +\Qq{Musical Quality/Accomplishment} \Qtab{7cm}{\makebox[2.5cm]{Low Quality\hfill}\tab[0.1cm] \Qrating{5}\tab\makebox[2cm]{High Quality\hfill}}\\ +\Qq{Artificialness} \Qtab{7cm}{\makebox[2.5cm]{Natural\hfill}\tab[0.1cm] \Qrating{5}\tab\makebox[2cm]{Synthetic\hfill}}\\ +\Qq{Preference} \Qtab{7cm}{\makebox[2.5cm]{Dislike\hfill}\tab[0.1cm] \Qrating{5}\tab\makebox[2cm]{Like\hfill}}\\ +} + +\refstepcounter{example} +\vskip.75em +\Qitem{\Qq{Please rate example \theexample~here:} +\vskip.25em +\Qq{Musical Quality/Accomplishment} \Qtab{7cm}{\makebox[2.5cm]{Low Quality\hfill}\tab[0.1cm] \Qrating{5}\tab\makebox[2cm]{High Quality\hfill}}\\ +\Qq{Artificialness} \Qtab{7cm}{\makebox[2.5cm]{Natural\hfill}\tab[0.1cm] \Qrating{5}\tab\makebox[2cm]{Synthetic\hfill}}\\ +\Qq{Preference} \Qtab{7cm}{\makebox[2.5cm]{Dislike\hfill}\tab[0.1cm] \Qrating{5}\tab\makebox[2cm]{Like\hfill}}\\ +} + +\refstepcounter{example} +\vskip.75em +\Qitem{\Qq{Please rate example \theexample~here:} +\vskip.25em +\Qq{Musical Quality/Accomplishment} \Qtab{7cm}{\makebox[2.5cm]{Low Quality\hfill}\tab[0.1cm] \Qrating{5}\tab\makebox[2cm]{High Quality\hfill}}\\ +\Qq{Artificialness} \Qtab{7cm}{\makebox[2.5cm]{Natural\hfill}\tab[0.1cm] \Qrating{5}\tab\makebox[2cm]{Synthetic\hfill}}\\ +\Qq{Preference} \Qtab{7cm}{\makebox[2.5cm]{Dislike\hfill}\tab[0.1cm] \Qrating{5}\tab\makebox[2cm]{Like\hfill}}\\ +} + +\refstepcounter{example} +\vskip.75em +\Qitem{\Qq{Please rate example \theexample~here:} +\vskip.25em +\Qq{Musical Quality/Accomplishment} \Qtab{7cm}{\makebox[2.5cm]{Low Quality\hfill}\tab[0.1cm] \Qrating{5}\tab\makebox[2cm]{High Quality\hfill}}\\ +\Qq{Artificialness} \Qtab{7cm}{\makebox[2.5cm]{Natural\hfill}\tab[0.1cm] \Qrating{5}\tab\makebox[2cm]{Synthetic\hfill}}\\ +\Qq{Preference} \Qtab{7cm}{\makebox[2.5cm]{Dislike\hfill}\tab[0.1cm] \Qrating{5}\tab\makebox[2cm]{Like\hfill}}\\ +} + +\refstepcounter{example} +\vskip.75em +\Qitem{\Qq{Please rate example \theexample~here:} +\vskip.25em +\Qq{Musical Quality/Accomplishment} \Qtab{7cm}{\makebox[2.5cm]{Low Quality\hfill}\tab[0.1cm] \Qrating{5}\tab\makebox[2cm]{High Quality\hfill}}\\ +\Qq{Artificialness} \Qtab{7cm}{\makebox[2.5cm]{Natural\hfill}\tab[0.1cm] \Qrating{5}\tab\makebox[2cm]{Synthetic\hfill}}\\ +\Qq{Preference} \Qtab{7cm}{\makebox[2.5cm]{Dislike\hfill}\tab[0.1cm] \Qrating{5}\tab\makebox[2cm]{Like\hfill}}\\ +} + +\refstepcounter{example} +\vskip.75em +\Qitem{\Qq{Please rate example \theexample~here:} +\vskip.25em +\Qq{Musical Quality/Accomplishment} \Qtab{7cm}{\makebox[2.5cm]{Low Quality\hfill}\tab[0.1cm] \Qrating{5}\tab\makebox[2cm]{High Quality\hfill}}\\ +\Qq{Artificialness} \Qtab{7cm}{\makebox[2.5cm]{Natural\hfill}\tab[0.1cm] \Qrating{5}\tab\makebox[2cm]{Synthetic\hfill}}\\ +\Qq{Preference} \Qtab{7cm}{\makebox[2.5cm]{Dislike\hfill}\tab[0.1cm] \Qrating{5}\tab\makebox[2cm]{Like\hfill}}\\ +} + +\refstepcounter{example} +\vskip.75em +\Qitem{\Qq{Please rate example \theexample~here:} +\vskip.25em +\Qq{Musical Quality/Accomplishment} \Qtab{7cm}{\makebox[2.5cm]{Low Quality\hfill}\tab[0.1cm] \Qrating{5}\tab\makebox[2cm]{High Quality\hfill}}\\ +\Qq{Artificialness} \Qtab{7cm}{\makebox[2.5cm]{Natural\hfill}\tab[0.1cm] \Qrating{5}\tab\makebox[2cm]{Synthetic\hfill}}\\ +\Qq{Preference} \Qtab{7cm}{\makebox[2.5cm]{Dislike\hfill}\tab[0.1cm] \Qrating{5}\tab\makebox[2cm]{Like\hfill}}\\ +} + +\refstepcounter{example} +\vskip.75em +\Qitem{\Qq{Please rate example \theexample~here:} +\vskip.25em +\Qq{Musical Quality/Accomplishment} \Qtab{7cm}{\makebox[2.5cm]{Low Quality\hfill}\tab[0.1cm] \Qrating{5}\tab\makebox[2cm]{High Quality\hfill}}\\ +\Qq{Artificialness} \Qtab{7cm}{\makebox[2.5cm]{Natural\hfill}\tab[0.1cm] \Qrating{5}\tab\makebox[2cm]{Synthetic\hfill}}\\ +\Qq{Preference} \Qtab{7cm}{\makebox[2.5cm]{Dislike\hfill}\tab[0.1cm] \Qrating{5}\tab\makebox[2cm]{Like\hfill}}\\ +} + +\refstepcounter{example} +\vskip.75em +\Qitem{\Qq{Please rate example \theexample~here:} +\vskip.25em +\Qq{Musical Quality/Accomplishment} \Qtab{7cm}{\makebox[2.5cm]{Low Quality\hfill}\tab[0.1cm] \Qrating{5}\tab\makebox[2cm]{High Quality\hfill}}\\ +\Qq{Artificialness} \Qtab{7cm}{\makebox[2.5cm]{Natural\hfill}\tab[0.1cm] \Qrating{5}\tab\makebox[2cm]{Synthetic\hfill}}\\ +\Qq{Preference} \Qtab{7cm}{\makebox[2.5cm]{Dislike\hfill}\tab[0.1cm] \Qrating{5}\tab\makebox[2cm]{Like\hfill}}\\ +} + +\refstepcounter{example} +\vskip.75em +\Qitem{\Qq{Please rate example \theexample~here:} +\vskip.25em +\Qq{Musical Quality/Accomplishment} \Qtab{7cm}{\makebox[2.5cm]{Low Quality\hfill}\tab[0.1cm] \Qrating{5}\tab\makebox[2cm]{High Quality\hfill}}\\ +\Qq{Artificialness} \Qtab{7cm}{\makebox[2.5cm]{Natural\hfill}\tab[0.1cm] \Qrating{5}\tab\makebox[2cm]{Synthetic\hfill}}\\ +\Qq{Preference} \Qtab{7cm}{\makebox[2.5cm]{Dislike\hfill}\tab[0.1cm] \Qrating{5}\tab\makebox[2cm]{Like\hfill}}\\ +} + +\refstepcounter{example} +\vskip.75em +\Qitem{\Qq{Please rate example \theexample~here:} +\vskip.25em +\Qq{Musical Quality/Accomplishment} \Qtab{7cm}{\makebox[2.5cm]{Low Quality\hfill}\tab[0.1cm] \Qrating{5}\tab\makebox[2cm]{High Quality\hfill}}\\ +\Qq{Artificialness} \Qtab{7cm}{\makebox[2.5cm]{Natural\hfill}\tab[0.1cm] \Qrating{5}\tab\makebox[2cm]{Synthetic\hfill}}\\ +\Qq{Preference} \Qtab{7cm}{\makebox[2.5cm]{Dislike\hfill}\tab[0.1cm] \Qrating{5}\tab\makebox[2cm]{Like\hfill}}\\ +} + +\refstepcounter{example} +\vskip.75em +\Qitem{\Qq{Please rate example \theexample~here:} +\vskip.25em +\Qq{Musical Quality/Accomplishment} \Qtab{7cm}{\makebox[2.5cm]{Low Quality\hfill}\tab[0.1cm] \Qrating{5}\tab\makebox[2cm]{High Quality\hfill}}\\ +\Qq{Artificialness} \Qtab{7cm}{\makebox[2.5cm]{Natural\hfill}\tab[0.1cm] \Qrating{5}\tab\makebox[2cm]{Synthetic\hfill}}\\ +\Qq{Preference} \Qtab{7cm}{\makebox[2.5cm]{Dislike\hfill}\tab[0.1cm] \Qrating{5}\tab\makebox[2cm]{Like\hfill}}\\ +} + +\refstepcounter{example} +\vskip.75em +\Qitem{\Qq{Please rate example \theexample~here:} +\vskip.25em +\Qq{Musical Quality/Accomplishment} \Qtab{7cm}{\makebox[2.5cm]{Low Quality\hfill}\tab[0.1cm] \Qrating{5}\tab\makebox[2cm]{High Quality\hfill}}\\ +\Qq{Artificialness} \Qtab{7cm}{\makebox[2.5cm]{Natural\hfill}\tab[0.1cm] \Qrating{5}\tab\makebox[2cm]{Synthetic\hfill}}\\ +\Qq{Preference} \Qtab{7cm}{\makebox[2.5cm]{Dislike\hfill}\tab[0.1cm] \Qrating{5}\tab\makebox[2cm]{Like\hfill}}\\ +} + +\refstepcounter{example} +\vskip.75em +\Qitem{\Qq{Please rate example \theexample~here:} +\vskip.25em +\Qq{Musical Quality/Accomplishment} \Qtab{7cm}{\makebox[2.5cm]{Low Quality\hfill}\tab[0.1cm] \Qrating{5}\tab\makebox[2cm]{High Quality\hfill}}\\ +\Qq{Artificialness} \Qtab{7cm}{\makebox[2.5cm]{Natural\hfill}\tab[0.1cm] \Qrating{5}\tab\makebox[2cm]{Synthetic\hfill}}\\ +\Qq{Preference} \Qtab{7cm}{\makebox[2.5cm]{Dislike\hfill}\tab[0.1cm] \Qrating{5}\tab\makebox[2cm]{Like\hfill}}\\ +} + +\refstepcounter{example} +\vskip.75em +\Qitem{\Qq{Please rate example \theexample~here:} +\vskip.25em +\Qq{Musical Quality/Accomplishment} \Qtab{7cm}{\makebox[2.5cm]{Low Quality\hfill}\tab[0.1cm] \Qrating{5}\tab\makebox[2cm]{High Quality\hfill}}\\ +\Qq{Artificialness} \Qtab{7cm}{\makebox[2.5cm]{Natural\hfill}\tab[0.1cm] \Qrating{5}\tab\makebox[2cm]{Synthetic\hfill}}\\ +\Qq{Preference} \Qtab{7cm}{\makebox[2.5cm]{Dislike\hfill}\tab[0.1cm] \Qrating{5}\tab\makebox[2cm]{Like\hfill}}\\ +} + +\refstepcounter{example} +\vskip.75em +\Qitem{\Qq{Please rate example \theexample~here:} +\vskip.25em +\Qq{Musical Quality/Accomplishment} \Qtab{7cm}{\makebox[2.5cm]{Low Quality\hfill}\tab[0.1cm] \Qrating{5}\tab\makebox[2cm]{High Quality\hfill}}\\ +\Qq{Artificialness} \Qtab{7cm}{\makebox[2.5cm]{Natural\hfill}\tab[0.1cm] \Qrating{5}\tab\makebox[2cm]{Synthetic\hfill}}\\ +\Qq{Preference} \Qtab{7cm}{\makebox[2.5cm]{Dislike\hfill}\tab[0.1cm] \Qrating{5}\tab\makebox[2cm]{Like\hfill}}\\ +} + +\refstepcounter{example} +\vskip.75em +\Qitem{\Qq{Please rate example \theexample~here:} +\vskip.25em +\Qq{Musical Quality/Accomplishment} \Qtab{7cm}{\makebox[2.5cm]{Low Quality\hfill}\tab[0.1cm] \Qrating{5}\tab\makebox[2cm]{High Quality\hfill}}\\ +\Qq{Artificialness} \Qtab{7cm}{\makebox[2.5cm]{Natural\hfill}\tab[0.1cm] \Qrating{5}\tab\makebox[2cm]{Synthetic\hfill}}\\ +\Qq{Preference} \Qtab{7cm}{\makebox[2.5cm]{Dislike\hfill}\tab[0.1cm] \Qrating{5}\tab\makebox[2cm]{Like\hfill}}\\ +} + +\refstepcounter{example} +\vskip.75em +\Qitem{\Qq{Please rate example \theexample~here:} +\vskip.25em +\Qq{Musical Quality/Accomplishment} \Qtab{7cm}{\makebox[2.5cm]{Low Quality\hfill}\tab[0.1cm] \Qrating{5}\tab\makebox[2cm]{High Quality\hfill}}\\ +\Qq{Artificialness} \Qtab{7cm}{\makebox[2.5cm]{Natural\hfill}\tab[0.1cm] \Qrating{5}\tab\makebox[2cm]{Synthetic\hfill}}\\ +\Qq{Preference} \Qtab{7cm}{\makebox[2.5cm]{Dislike\hfill}\tab[0.1cm] \Qrating{5}\tab\makebox[2cm]{Like\hfill}}\\ +} + + + +\section*{Further Comments} + +\Qitem[a]{ \Qq{} \Qlines{12} } + + + +\end{document}