Begun concatenator section
This commit is contained in:
+9
-5
@@ -86,7 +86,7 @@
|
||||
significantly over the past 15 years, driven by recent advancements in
|
||||
technology. Key advancements have been in easy access to large databases of
|
||||
audio and the development of methods for extracting useful information from
|
||||
these databases automatically~\parencite[p.1]{Schwarz2006}. CS utilises
|
||||
these databases automatically~\parencite[p.1]{Schwarz2006a}. CS utilises
|
||||
these technologies to provide a content-based extension to granular
|
||||
synthesis; by analysing a database of source grains, grains can be
|
||||
differentiated based on their charcteristics. These charachteristics can
|
||||
@@ -141,7 +141,7 @@
|
||||
to explore the possibilities for synthesizing new abstract sounds for
|
||||
creative purposes.\\
|
||||
A prominent project in this area of CS is IRCAM's CataRT
|
||||
project~\parencite{Schwarz2006}. The project focuses on the playback of
|
||||
project~\parencite{Schwarz2006a}. The project focuses on the playback of
|
||||
source grains based on their proximity to a target in multi-dimensional
|
||||
descriptor space. By providing a target point in the descriptor space, the
|
||||
user is able to navigate the database, playing selections of samples that
|
||||
@@ -164,8 +164,12 @@
|
||||
hybrid of the two.
|
||||
|
||||
\section{Concatenator}
|
||||
The concatenator project aims to provide a Python framework and
|
||||
command-line tool for concatenative synthesis.
|
||||
The concatenator project was designed as a Python framework and
|
||||
command-line tool for easy access to CS. The project aimed to provide an
|
||||
open source set of tools that would allow composers to generate a variety
|
||||
of CS driven realisations. In addition, the project aimed to provide an
|
||||
intuitive API that Python programmers could use as fundamental building
|
||||
blocks to build further concatenative synthesis applications on.
|
||||
Why Python?
|
||||
instrument resynthesis onto a pre-existing source sound, rather than from scratch onto things like midi notes.
|
||||
Offline processing to allow for large databases to be used - disadvantage: loss of feedback between performer and system, as described in PA's paper.
|
||||
@@ -189,7 +193,7 @@
|
||||
|
||||
Spectral matching~\parencite{Hoffman2009}
|
||||
Use of RPM?~\parencite[p.82]{Lindemann2007}
|
||||
Viterbi path search~\parencite[p.1]{Schwarz2006}
|
||||
Viterbi path search~\parencite[p.1]{Schwarz2006a}
|
||||
|
||||
\section*{Conclusion}
|
||||
|
||||
|
||||
Reference in New Issue
Block a user